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- WHAT IS THE BEST FINAL CUT PRO X VIDEO NOISE REDUCTION HOW TO
- WHAT IS THE BEST FINAL CUT PRO X VIDEO NOISE REDUCTION TRIAL
Now I’m working my way through all the filters to see if anything helps. Would be nice if FCPX had a noiseprint capable filter. The Background Noise Removal worked very well on a different clip with a bit of much lighter hvac noise in a different location. At least it sounds somewhat less as if there is a jet preparing for takeoff somewhere inside the interview location.
WHAT IS THE BEST FINAL CUT PRO X VIDEO NOISE REDUCTION TRIAL
What finally seems to help after much trial and error is the Remove Low Frequencies filter, tweaked as best I can manage, and then the audio enhancements Background Noise Removal on top of that. I tried Denoiser but couldn’t seem to isolate the particular sound well enough. I did find that checking the Loudness control for all the clips boosted volume in a helpful way at no cost otherwise. Background Noise Removal did nothing for this loud rumble, and Hum Removal didn’t help, AC hum wasn’t the problem. I had already tried the basic filters under Audio Enhancements. “Before speaking out ask yourself whether your words are true, whether they are respectful and whether they are needed in our civil discussions.”-Justice O’Connor When you mix the yellow and the blue to get green, there’s no good way to “unmix” them afterwards to get back to the original primary colors.
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Sound is complicated, after all, with many “dimensions.” to a complex audio waveform or mix.Īnd like the James Earle Jones example above, sounds shaping via frequency only works when you’re trying to separate out something that’s separate-able.Īt one level, sound is like paint. The filters are “stackable” so that you can use as many as you need to address the issue, but are not trivial to understand and manipulate.
WHAT IS THE BEST FINAL CUT PRO X VIDEO NOISE REDUCTION HOW TO
These are filters lifted directly from the Apple’s excellent Logic program – but require you to know how to set them to try and “hone in” on your specific problem. That’s when you have to look at the dedicated audio filters in X under the Effects Browser. OTOH, if you’re recording a male voice in the “James Earl Jones” range – then knocking down the AC rumble with a high-pass filter can make the voice sound unacceptably “tinny” since you’re messing with frequencies that might be shared by the voice and the noise. If the problem is low frequency rumble – and the signal you want to keep is a higher pitched female interviewee – then you could get EXCELLENT results from a simple low pass filter approach – and again, the “auto correct” described above that’s built into X might be great. The hiss like “rush” of the air itself might be combined with low frequency duct rumble – and even significant mechanical noise depending on how close the room is to the physical AC unit.Īlso, the content you want to keep is an issue. It’s often got quite a few discrete components.
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Common mode hum (60cycle noise in the US), High frequency hiss, and other easily “isolatable” issues are usually handled really well with this approach.ĪC Handling noise “might” fall in that category – but it’s hard to say.
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IF your noise profile is one that FCP-X is built to address, simply sliding the Amount tab is all you’re likely to need. (Please do it here – rather than at the clip level in your timeline because you want to fix it “globally” for all subsequent uses of that audio clip – not just for a single use.) When the clip is selected as a whole, open it’s Audio Tab – then under Audio Enhancements, open the Audio Analysis sub-menu – and that will take you to a dedicated Background Noise Removal tab. You access them by selecting the track you want to clean up in the Event Browser. The “noise sample” construct in X is basic and not particularly user definable – but it’s often very functional if the kind of noise you’re combatting lends itself to X’s type of “smart filter” presets.